Named after Orpheus and Eurydice—legendary figures from Greek mythology—a striking residential complex emerged during the 1970s Olympic Games. Comprising two iconic towers and designed by Jürgen Freiherr von Gagern, this historic landmark now houses a carefully preserved maisonette apartment that has undergone a comprehensive renovation. "The generous 150 m² floor plan, anchored by an impressive five-metre-high gallery space, provided the ideal foundation for a minimalist living experience," notes architect Felicia Specht of FV2 Architektur. The vision was realized through a refined palette of grays and blacks—a deliberately restrained colour strategy that brings cohesion to every detail.

The renovation's focal point is the expansive dining and living area, anchored by a custom kitchen, striking fireplace, and a purpose-designed internal staircase. Throughout the apartment, new oak parquet with a matte grey oil finish establishes a warm foundation. Black CDF-crafted staircase treads infuse the '70s structure with contemporary sophistication. This aesthetic philosophy extends to the bathrooms, where every element—from custom black-framed rounded mirrors to coordinated washbasins, fixtures, and accessories—works in concert to achieve an understated elegance. The kitchen design received equally meticulous attention, tailored closely with the homeowners' culinary aspirations in mind. By removing the former pantry, the architects unlocked space for a generous new kitchen with bar seating. The result is a dining zone that feels expansive and open, separated by a sleek glass balustrade that flows seamlessly into the soaring double-height volume above.

FV2 Architektur orchestrated every phase—from securing heritage permits and conceptual design through to site management. A meticulously planned construction schedule proved instrumental, enabling the team to complete the full renovation, including two terraces, within just three months and ready for move-in.

www.fv2architektur.com

Photography Credits:

Jonathan Sage

(Published in CUBE Munich 03|22)